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*”London’s Lost Recoding Studios-Pt4″ – “Morgan Sound Studios” – Willesden London NW2

Posted on October 18, 2026 by Geoff Clements Posted in Lost Recording Studios, Music .

Regular followers of my London Shoes stuff will already be aware of my love of all things music relating to London – and in particular my interest in ‘Lost’ music venues and recoding studios – locations that were once prominent landmarks on the London music scene, but today, those that are still standing, are generally buildings living a completely different life.

This posting is Part 4 of the London Shoes category “London’s Lost Recording Studios” – and takes a look back at the history of the once legendary “MORGAN SOUND STUDIO”

The “Morgan Sound Studios” was an independant recording studio that was based in Willesden-London NW2.

A premises at 169/171 High Road Willesden was bought and converted into a recording studio that opened for business in 1967.

Between the years 1967 right through to the 1980’s some of the greatest and most influential music this country has ever produced, was recorded at the Morgan Studio site.

Some of the greatest and most in-demand record producers and engineers cut their teeth at Morgan Sound – Andy Johns (Led Zeppelin/Rolling Stones) and Roy Thomas Baker (Queen / Santana / Rolling Stones) probably the 2 most famous.

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In 1969, the studio had become so successful and in demand – and second studio was built upstair at the Willesden High Road site.

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At that time the studio ‘house/session’ band consisted of Roger Coulan (keyboards) / Herbie Flowers (bass) / Alan Parker (guitar)  – who then linked up with singers Roger Cook and Madelline Bell to form the popuar and successful group ‘Blue Mink’.

By 1972 a 3rd studio had been set up in a building across the road – and in 1974 a 4th studio had been built in a property in Chaplin Road – a turning just over the road from the main Morgan Sound Studio.

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As mentioned earlier, some of the Britain’s greatest and most influential music was recorded at Morgan Sound – and I guarantee that a number of folk, especially those around my age (ie coming up to 70) – would have had, or probably still have, some of the following albums in their record (or CD) collections, and probably still regularly play them.

Morgan Sound Studio – Albums (a selection)

* Led Zeppilin II – (1969) / Stand Up – Jethro Tull (1969) / Tons of Sobs – Free (1969) / Supertramp – (1969) / McCartney – Paul McCartney – (1970)

Gasoline Alley – Rod Stewart (1970) / Tea for the Tillerman – Cat Stevens (1970) / Every Picture Tells a Story – Rod Stewart (1971) / Long Player – The Faces (1971)

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Madman Across the Water – Elton John (1971) / Muswell Hillbillies – The Kinks (1971) / Teaser and the Firecat – Cat Stevens (1971) / Benefit – Jethro Tull (1971)

Catch Bull at Four – Cat Stevens (1972) / Lou Reed – Lou Reed (1972) / Never a Dull Moment – Rod Stewart (1972) / Tales from Topographic Oceans – Yes (1973)

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Billion Dollar Babies – Alice Cooper (1973) / Sabbath Bloody Sabbath – Black Sabbath (1973) / Berlin – Lou Reed (1973) / The Psychomodo – Cockney Rebel (1974)

Smiler – Rod Stewart (1974) / Sabbotage – Black Sabbath (1975) / Songs from the Wood – Jethro Tull (1977) / Squeeze – Squueeze (1978) /

Renegade – Thin Lizzy (1981) / Iron Fist – Motorhead (1982)…………..and these are just a selection of the more well known albums cut at Morgan Sound Studio.

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It wasnt just classic albums that were recorded at the Studio – some all time classic Singles were also recorded there – for example:-

Morgan Sound Studio – Singles (a selection)

*Pinball Wizard – The Who (1969) / Lola – The Kinks (1970) / Woodstock – Matthew Southern Comfort (1970) / Anticipation – Carly Simon (1971)

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Hi Hi Hi (that was banned) & C Moon – Wings (1972) / Step into Christmas – Elton John (1973) / American Tune – Paul Simon (1974) / News of the World – The Jam (1978) / C30 C60 C90 Go – Bow Wow Wow (1978) / Making your Mind Up – Bucks Fizz (1979)…..plus many more.

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As time and technology moved on, the individual Morgan Sound Studios in Willesden were gradually sold off to other recording companies – which themselves, eventually closed down and as a result the studio premises sold off.

Today – this legendary recording studio is now an outlet of the cometic/toiletries chain ‘SAVERS’ – and like all such ‘lost’ music related locations my London Shoes visit, I just wonder if the good people of Willisden shopping at Savers for their shampoo / face cream / deodorant / cheap perfume and aftershaves – have any idea of the importance of what went on inside the building, when they walk through its front door and wander up and down the aisles inside – I doubt it.

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For me – when visiting places like the former Morgan Sound Studio building, I always feel like I’m standing on the shoulder of giants when I think of all the music legends that were once inside the building, creating and recording the music that basically became part of the soundtrack of my life – it just pleases me that, via my London Shoes, I can capture the back story and history of such locations that had such an influence on music, not just in Britain but also globally – and an influence on me.

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So -having pounded the pavements of Willesden NW2 tracking down and photographing the building that was once the legendary ‘Morgan Sound  Studio’ – I was in need of a little liquid refreshment before setting off back home – I stumbled upon an unusual little pub/bar called “Angie’s Bar”

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In 1992 a former retail shop located in Walm Lane, close to Willesden Green tube station, was converted into a pub and opened as “Angie’s III”, part of a very small chain of ‘Angies’ Irish bars opened across London. In May 2021 following extensive renovation work, the pub reopened as just “Angie’s Bar”

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Angie’s Bar is described as being a traditional Irish pub with several large TVs screens situated throughout the bar, that screen most of the major sporting events. Apparently, this particular Angie’s pub does not serve real ale – but it IS renowned for it’s Guinness – an ideal place for my Shoes to rest up and have a couple of ‘cheeky’ ones before heading off  back home.

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Anyway – I love doing these then & now retrospective stuff and I hope you enjoyed my little London Shoes story about the legendary Morgan Sound Studio where so many all time classics were created and recorded – I certainly enjoyed putting it together.

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Below is the entire gallery of photos taken and images downloaded to accompany this London Shoes blog

 

Willesden Green tube station – on the Jubilee Line (the grey one on a standard tube map) – the nearest station to the old Morgan Sound Studio building

 

A photo of the former ‘Morgan Sound Studio’ premises at 169/171 High Road Willesden London NW2

 

The old ‘Morgan Sound Studio’ building as it is today (2026) a ‘Savers’ cosmetic/toiletries retail outlet

 

A close-up of the entrance to the Savers store – an entrance that so many of Britain’s music legends would have walked through back in the day when the premises was the ‘Morgan Sound Studio’

 

Me & my London Shoes alongside the site in Willesden High Road that was once the legendary ‘Morgan Sound Studio’

 

Another photo of ‘Morgan Sound Studio’ when it was one of the most credible and productive recording studios in this country.

 

I guarantee that a number of folk reading this piece, especially those around my age (ie coming up to 70) – would have had, or probably still have, some of the albums in their record (or CD) collections, that were recorded at Morgan Sound Studio – and probably still play them.

 

Me – with Cat Stevens 1971 released ‘Teaser and the Firecat’ album – recorded at Morgan Sound Studio – in Willesden NW2

 

The band ‘Free’ recorded their initial 2 groundbreaking albums at Morgan Sound Studio

 

By 1969, the studio had become so successful and in demand – and second studio was built upstairs at the Willesden High Road site.

 

Some of the greatest and most in-demand record producers and engineers cut their teeth at Morgan Sound – Andy Johns (Led Zeppelin/Rolling Stones) and Roy Thomas Baker (Queen / Santana / Rolling Stones) probably the 2 most famous.

 

The success of Morgan Sound Studio meant that it was constantly in demand – business was booming – and further recording studios were added

 

The great Carly Simon’s classic 1971 album ‘Anticipation’ – was recorded at Morgan Sound Studio – Willesden

 

This is a very early London Shoes photo from quite a few years back – of me trying (badly) to replicate Carly Simon’s 1971 released ‘Anticipation’ album cover

 

Me – at home with my copy of the 1970 released ‘McCartney’ album – Paul McCartney’s first record release following the break up of the Beatles. This album was recorded at Morgan Sound Studio

 

The band ‘Jethro Tull’ recoded several of their classic albums at Morgan Sound Studio between 1969 to 1974

 

Jethro Tull’s 1969 released ‘Stand Up’ album – was recorded at the Morgan Sound Studio

 

Jethro Tull’s 1972 classic ‘Thick As A Brick’ album – recorded at Morgan Sound Studio

 

Jethro Tull’s 1977 released ‘Songs from the Wood’ album – was recorded at Morgan Sound Studio 2

 

 

Me & my London Shoes across the road from the site that was once the famous Morgan Sound Studio

 

Me with my copy of Rod Stewart’s classic 1972 released ‘Never A Dull Moment’ solo album – was recorded at Morgan Sound Studio

It wasn’t just classic albums that were recorded at the Morgan Studio – some all time classic Singles were also recorded there too

 

The Kinks classic 1970 released ‘Lola’ single – was recorded at the Morgan Sound Studio

 

Elton John’s 1973 seasonal classic ‘Step Into Christmas’ – was recorded at Morgan Sound Studio

 

Alice Cooper’s 1973 released ‘Billion Dollar Babies’ album – was recorded at Morgan Sound Studio

 

I found this old b&w photo on the internet of Alice Cooper perporting to be recording at Morgan Sound Studio – if that’s the case then I can see that Harry Neilson and Marc Bolan were accompanying him.

 

Me – with my copy of Cockney Rebel’s big selling 1974 released ‘Psychomodo’ album – recorded at Morgan Sound Studio

 

Paul Simon’s ‘American Tune’ track off his big selling ‘There Goes Rhyming Simon’ album – was recorded at Morgan Sound Studio – and even gets referenced in the credits

 

 

By 1972 a 3rd studio had been set up in a building across the road – and in 1974 a 4th studio had been built in a property in Chaplin Road – a turning just over the road from the main Morgan Sound Studio.

 

Black Sabbath’s 1973 released “Sabbath Bloody Sabbath” album was recorded at the Morgan Sound Studio 4 site across the road from the studios main Willesden High Road builoding

 

A view of the former Morgan Sound Studio 4 as it is today (2026)

 

The Cure’s ‘Three Imaginary Boys’ album – was also recorded at the Morgan Sound Studio 4 premises

 

Me & my London Shoes – outside the building in Willesden that was once Morgan Sound Studio 4

 

I wonder if the good people of Willisden shopping at Savers for their shampoo / face cream / deodorant / cheap perfume and aftershaves – have any idea of the importance of what went on inside the building, as they walk through its front door and wander up and down the aisles inside

 

Having taken all the photos I wanted of the legendary Morgan Sound Studio buildings – my London Shoes ambled along through the streets of Willesden in search of a comfy relaxing pub where I could rest up and have a couple of cheeky beers before heading back home

 

Scenes from Willesden High Road – London NW2

 

Me & my London Shoes pounding the pavements of Willesden High Road-London NW2

 

“Angie’s Bar III” opened in 1992 and is a former retail shop located in Walm Lane, close to Willesden Green tube station

 

In May 2021 following extensive renovation work, the pub reopened as just “Angie’s Bar”

 

Angie’s Bar is described as being a traditional Irish pub with several large TVs screens situated throughout the bar, that screen most of the major sporting events

 

 

Inside Angie’s Bar – Willesden-London-NW2

 

Inside Angie’s Bar – Willesden-London-NW2

 

Inside Angie’s Bar – Willesden-London-NW2

 

Inside Angie’s Bar – Willesden-London-NW2

 

Inside Angie’s Bar – Willesden-London-NW2

 

Inside Angie’s Bar – Willesden-London-NW2

 

Me & my London Shoes enjoying a nice cold ‘cheeky’ one in Angie’s Bar – Willesden Green-London NW2

Related

10 Comments
« *the “Excalibur Prefab Estate” – Catford London SE6 – (2026)

10 Responses

  1. ian baldwin says
    October 18, 2026 at 10:57 am

    A great trip done memory lane brought back a lot of old memories having been born down the road in Kilburn. Never had the opportunity to record there my self but used to pass there a lot of times, thanks

    Reply
    • Geoff Clements says
      October 18, 2026 at 2:34 pm

      Thanks Ian – glad you enjoyed it

      GEOFF (www.londonshoes.blog)

      Reply
  2. adrian sear says
    October 18, 2026 at 1:25 pm

    Great post .
    Thanks Ade

    Reply
    • Geoff Clements says
      October 18, 2026 at 2:37 pm

      Glad you enjoyed the read Ade – and thanks for your comments/info – much appreciated

      GEOFF (www.londonshoes.blog)

      Reply
  3. adrian sear says
    October 18, 2026 at 1:28 pm

    Mickie Most used Morgan Studios for Donovan and Hot Chocolate.

    Reply
    • Geoff Clements says
      October 18, 2026 at 2:39 pm

      I think the early Hot Chocolate hits were definitely recorded at Morgan – the later ones I believe were recorded at the RAK Studio in St. Johns Wood

      GEOFF (www.londonshoes.blog)

      Reply
  4. adrian sear says
    October 18, 2026 at 2:00 pm

    Roger Keith Coulam (21 August 1940 in Blackburn, Lancashire, England – 23 October 2005) was a British keyboard session musician, who formed Blue Mink in the autumn of 1969, with Madeline Bell (vocalist), Roger Cook (vocalist), Alan Parker (guitarist), Herbie Flowers (bassist), and Barry Morgan (drummer).[1]

    Career

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    Artists Coulam worked with included:

    Robert Priddy trio at the Grotto Club, Baker Street
    The Roger Coulam Quartet (1967)
    The Shubdubs / Jimmy Nicol & The Shubdubs (Jimmie Nicol; Johnny Harris)
    Don Partridge (1968)
    Matthews’ Southern Comfort
    Matthews’ Southern Comfort (1969)[2]
    Later That Same Year (1971)
    Je t’aime… moi non-plus (1969, Jane Birkin and Serge Gainsbourg version)
    Poet and the One Man Band (1969) (Heads Hands & Feet; Johnny Harris; Albert Lee; Jerry Donahue; Fotheringay)[3]
    CCS
    Ugly Custard (1970)[4]
    Billie Davis (1970)
    Histoire de Melody Nelson (1971)[5]
    Where Did They Go (1972, Sandie Shaw version)
    Georgia Brown (1972)
    Jesus Christ Superstar (1973 Film Soundtrack)[6]
    Typically Tropical (1975)
    Nick Ingman (1976 & 2006)[7]
    Alan Price (2001)[8]

    Reply
  5. Dave says
    October 18, 2026 at 2:40 pm

    Willesden Green of course being immortalised by the late Vivian Stanshall on the Bonzo’s third album Tadpoles (Shirt l think???).

    Reply
  6. Dianne says
    October 18, 2026 at 2:40 pm

    Another fascinating one Geoff.
    Good to know who was responsible for a big part of my early album collection. 😀

    Reply
  7. Rob says
    October 18, 2026 at 2:41 pm

    Fascinating, as ever!

    Reply

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